OK, so the possibility of nuclear destruction our friend the atom, slow or fast, is bad enough, but how about the possibility of sonic destruction?
Hawkwind discussed it in their chilling classic, Sonic Attack. Well, I say ‘discussed’, I actually mean recited a tract of Moorcock apocalyptic barminess over a backing of overdriven synth noodlings and feedback. Effective in headphones, while lying on the floor in the dark, brain stewing in acid, or so I’m told…
The US military have long had an interest in so-called ‘non-lethal’ acoustic weapons. But some people believe other research looked into, shall we say, non-non-lethal applications. But they’re just nutters and crackpots surely?
Perhaps not. During that wellspring of negative creativity, The Cold War, accidental discoveries were made which brought the possibility of a functional, and truly terrifying, sonic weapon into range. French scientist Vladimir Gavreau’s experiments nearly killed him and his fellow researchers, the ‘infrasound’ of about 7Hz produced by their apparatus coming close to destroying their bodies from within.
As well as the physiological effects of unusual sound, the psychological effects should not be ignored. I used to share a house with a couple of girls when I was at college. Sound good? It wasn’t. One of them had the CD single of ‘Dreams’ by eye-hiding cod-soul warbler Gabrielle. It was the only CD she owned, and she set it to repeat. And repeat. In those weeks, I knew how Manuel Noriega felt.
And finally, what about the subconcious? What about the sentient? What about a sound, or a piece of music, that wants to live? That wants to propagate itself, through whatever channels it can, before becoming the only sound in existence? Impossible, you say. Nonsense, you sneer. Well, laugh now, because The Human League’s The Black Hit Of Space is waiting in your record collection…
“I knew I had to escape. But every time I tried to flee, the record was in front of me.”